Black Line Design attempt in music. this piece of music is all about syncapation.

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This is my first look at the experiment. I learned about the ability to consistently subdivide the original whole.
This song is about syncopation. The alignment of beats and the wondrous mix between the alignments. I found the anticipation of alignment exciting. 
The formula of division is as follows:
decide on a length let's say 10 minutes. find the total # of seconds; 10(60)=600. Now divide one by 600 seconds, then add that answer to  one unit; (1/600)+1. which will provide two alignments per song. Once at the beginning and once at the end. I reefer to this as one alignment. for the other multiple alignments multiply the previous result by a whole number and add it to the one unit; (1/600)2 or 3 or 4 etc.+1 will provide what I call two or three or four alignments. [if I discount the starting alignment the one, two, three four, etc. make simple sense.] 

After evaluating the previous information I decided that 1 beat per second was too much. So I have one beat per four seconds in this example. 7 minutes or 420 seconds total. which translates into 420/4 = 105 beats total.

My next task is to put these finite fractions into musical notation. Or precise pets per second. From their I can use midi to read the sheet music. or a sequencer 
 

(420/4)=105 beats total. 1 beat evrey 4 sec.
((1/(420/4))4)+4 = 4.038095sec.
(((1/(420/4))4)3)+4 = 0.114286 sec.

(1 total=108" or 9'-0"): (1/108)=0.009259"
(1/108")+1 = 1.009259"
(1/108")2+1 = 1.018518"
(1/108")3+1 = 1.027777"
(1/108")4+1 = 1.037036"
(1/108")5+1 = 1.046295"

[one song = 7min. or 420sec.] 1 sec. ea.
(1/420)+1 = 1.002381 sec.
((1/420)3)+1 = 1.007143 sec.
 


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